Stages of Empathy is not just a show; it is a model for what disability-led theatre can achieve when lived experience shapes ...

First performed in England in 2017, this version of A Christmas Carol was written by Jack Thorne, with the stage adaptation ...

Constricted and ingrown, the narrative of Born on a Thursday is fixated on the febrile relationship between Ingrid and April and never finds focus on other strands of the story, but thankfully the ...

Chenoeh Miller is a theatre director, artist producer and sometimes reviewer, based on Ngunnawal Country in Canberra. Venue: ...

Here You Come Again has moments of charm and beauty, but it’s the band, the design team, and the cast’s sheer effort that ...

Canberra stalwarts Bridget Croft (vocals) and Jenny Spear (vocals, acoustic guitar), joined by an exceptional lineup: Paul Kindermann on bass, Ged Corben on pedal steel, Ian ‘Jonno’ Johnson on drums, ...

Vivacious and virtuosic, Pinchgut Opera’s intimate rendition is rooted deeply in research and the practice of historical performance, yet unmistakably Sydney – unmistakably Australian – in its swift, ...

The plot is thin, and the characters feel so underwritten that even the most dedicated actor would struggle to make them fully dimensional.

A Christmas Carol retains the essence of a ghost story, yet the supernatural elements are supported by some nifty technological innovations.

Maudlin Mandy is morose. It’s the opening of her karaoke bar, Money Money Karaoke and her 38 th Birthday. Her ...

Production companies protest that preview performances are not review ready but Blinking Light, producers of These Youths Be Protesting, need not heed that point of view. These Youths Be Protesting is ...