Stages of Empathy is not just a show; it is a model for what disability-led theatre can achieve when lived experience shapes ...

First performed in England in 2017, this version of A Christmas Carol was written by Jack Thorne, with the stage adaptation ...

Constricted and ingrown, the narrative of Born on a Thursday is fixated on the febrile relationship between Ingrid and April and never finds focus on other strands of the story, but thankfully the ...

Here You Come Again has moments of charm and beauty, but it’s the band, the design team, and the cast’s sheer effort that ...

Canberra stalwarts Bridget Croft (vocals) and Jenny Spear (vocals, acoustic guitar), joined by an exceptional lineup: Paul Kindermann on bass, Ged Corben on pedal steel, Ian ‘Jonno’ Johnson on drums, ...

The plot is thin, and the characters feel so underwritten that even the most dedicated actor would struggle to make them fully dimensional.

Vivacious and virtuosic, Pinchgut Opera’s intimate rendition is rooted deeply in research and the practice of historical performance, yet unmistakably Sydney – unmistakably Australian – in its swift, ...

Above – Will O'Mahony, Emily Rose Brennan, Deep Sroa and Ratidzo Mambo. Cover – Emily Rose Brennan and Deep Sroa. Photos – Daniel J Grant The title of this play takes its name from a “drinking game” ...

Sedition feels like an additional character in Jean Tong’s Malaysian centric new work – as the lights came up in the Lawler theatre, I felt somewhat unoptimistic about any forthcoming Kuala Lumper ...

Described as “a powerful meditation of life, death and change”, The Lark is an incredible new solo work written specially for national treasure Noni Hazlehurst by celebrated playwright Daniel Keene ...

The capacity crowd were excited, eager to renew acquaintance with "Bob" and gave him a warm round of applause when he strolled onto the stage at the Regal Theatre. Clad in a low key ensemble of white ...