Sisu: Road to Revenge stands as a strong, if slightly overstuffed, continuation of a cult action saga. It delivers ferocity, striking visuals, ...

In the end, Rental Family stands as a thoughtful meditation on what it means to belong, to pretend, and to care in a world where ...

Regardless of which types of food you're into, it's always nice to grow your interests beyond preparation and consumption. You can meet new ...

Over the years, filmmakers have tried to capture what makes Formula 1 such an intoxicating world: the glory, the tragedy, the danger, and the ...

Despite minor shortcomings, The Running Man stands as a thrilling achievement. Wright delivers a film that entertains with force while ...

Unlike the sometimes scattershot visual energy of the second installment, Now You See Me: Now You Don’t feels more controlled and confident. The magic sequences—always the franchise’s selling ...

From the performances to the direction to the sweet cinematography and the core idea of compassion, Rental Family is the film 2025 needs.

Keeper is not without merit. Perkins’ direction exhibits undeniable craftsmanship, the cinematography is consistently arresting, and the ...

Following his 2021 debut ‘Two Witches’, writer-director Pierre Tsigaridis has returned with his sophomore effort, psychological gorefest ...

I'm so very tired. So I'm off to bed, but before i go here are five posters for your attention.Click on any of them to make them bigger.Hopefully tomorrow I'll be a bit more talkative...Until then, g ...

The Night Of The Juggler: Review. Re-release by Kino Lorber. Probably boasting one of the longest chase scenes in film history, The Night of the Juggler has long hovered in cult obscurity, outshined ...

Directed by WNBA player Angel McCoughtry, Bygones weaves a story of love, forgiveness, and basketball through 1969 and present-day Atlanta. In 1969, Leon (Jordan Pressley) is a young African American ...