Constricted and ingrown, the narrative of Born on a Thursday is fixated on the febrile relationship between Ingrid and April and never finds focus on other strands of the story, but thankfully the ...

Stages of Empathy is not just a show; it is a model for what disability-led theatre can achieve when lived experience shapes ...

First performed in England in 2017, this version of A Christmas Carol was written by Jack Thorne, with the stage adaptation ...

For one night only, Canberra Theatre Centre brought the beloved queer history podcast Queers Past onto the stage as part of this year’s SpringOUT Festival.

Vivacious and virtuosic, Pinchgut Opera’s intimate rendition is rooted deeply in research and the practice of historical performance, yet unmistakably Sydney – unmistakably Australian – in its swift, ...

Nearly forty years on, David Williamson’s Emerald City is possibly more pertinent, poignant and passionate, the skewering satire and sparkling dialogue finding solid contemporary footing in Mark ...

The month of May in Meanjin brings not just a cool change in weather but also the annual Brisbane Comedy Festival. This year, much to the glee of fans, Nat's What I Reckon has returned to the ...

This production, now showing at the Lyric Theatre at Brisbane’s QPAC, is, in the words of Queensland Ballet’s artistic director Ivan Gil-Ortega, “... a revival of one of the greatest ballet ...

Above – Baleen Moondjan. Photo – Roy VanDerVegt. Cover – Guuranda. Photo – Tim Standing. To see this from perhaps a hundred metres, sitting or standing on the sand, was not to be immersed in this work ...

The name of the show is drawn from luz (light in Spanish) and illuvia (rain), two of the most pivotal elements in this production. Riffing off all things make-believe Mexican, and it's pretty broad ...

First the good news. Skeletons – winner of the 2024 Fringe World Overall Comedy Award – is back for 2025! Another chance to catch the award-winning sell-out, rave-reviewed, true story about a doctor ...

Of all the parts of our society which have been affected by Covid, none has been more ravaged than the Arts sector. It is a product of brilliant management by the Festival’s two directors, Rachel ...