Art thieves are so back. The opening cut of Kelly Reichardt’s newest film, “The Mastermind,” positions the viewer from the perspective of a painting that James “J.B.” Mooney (Josh O’Connor) stares at.

“The Mastermind,” Kelly Reichardt’s latest film, loosely based on an actual robbery of a Massachusetts art museum in the early 1970s, has only been out for a few hours. But already somebody has bought ...

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works. It continues with an explanation on obfuscation within the Java Edition: "For a long time, Java ...

Ever since The Asphalt Jungle, John Huston's 1950 film about a jewel robbery, audiences and filmmakers have loved heist movies. You get the precise laying out of the plan, the robbery itself, the ...

Taylor Sheridan doesn’t like to be told what to do or how to do it. At his longtime home studio Paramount, the “Yellowstone” creator was given a long leash to make his shows the way he wanted. He was ...

The New York Film Festival guide called “The Mastermind” “an anti-thriller.” I can’t think of a better description for writer-director Kelly Reichardt’s latest; it’s a heist movie that has neither ...

The director Kelly Reichardt encourages stillness. Her style—long takes and low stakes, often punctuated by unhurried silences—forces viewers to slow down, to immerse themselves in the atmosphere ...

Barry Langford does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond ...

Of all things, Kelly Reichardt's bumbling art thief steals four paintings by American Modernist Arthur Dove, not exactly an art star. The film takes place in 1970, and the costumes, boxy cars, earth ...

"The Mastermind” opens in some U.S. markets Oct. 17 but will officially open in Cincinnati theaters Oct. 24. This story has been updated with that clarification. Spoiler alert! This article contains ...

The Mastermind may be billed as a heist movie, but that categorization does the movie a disservice. If anything, director Kelly Reichardt's latest is an anti-heist movie, with the heist being almost ...

Kelly Reichardt’s watchful cinema is one of the indie world’s most exquisite bounties, a space for pioneers (“Meek’s Cutoff,” “First Cow”), artists (“Showing Up”) and wanderers (“Old Joy,” “Wendy and ...