Indian VFX supervisor Pavani Rao Boddapati is the creative force behind the stunning visuals of all three Avatar films, including the upcoming Avatar: Fire and Ash. From crafting groundbreaking underwater worlds to redefining immersive cinema,

The last two Avatar movies certainly inspire a vote of confidence, given they’ve made a collective $5.2 billion worldwide across just two movies, with it being one of the rare movies people spend extra on to see in 3D as well. Still, as Cameron waits and sees about Fire and Ash ’s commercial success, he also told me this:

The Na’vi have conquered the box office twice before, yet uncertainty looms over their bioluminescent forests. Somewhere between spectacle and risk, the future of James Cameron’s Avatar universe feels unexpectedly fragile.

Avatar director James Cameron has come out to share his views on the much-discussed deal between Netflix and Warner Bros., admitting that the acquisition could have long-lasting and adverse effects on the theatrical experience.

Fire and Ash has opened advance bookings in India with 55,000 tickets sold on day one, collecting over Rs 4 crore and showing strong momentum in South India. However, its early pre-sales remain about 40 per cent lower than Avatar: The Way of Water,

In a note addressed "Dear Theater Technician," Cameron outlines what employees should be looking out for when exhibiting the movie. "There's a Projection Specification file and framing chart included with the DCP [Digital Cinema Package], with crucial information regarding light levels, audio configuration, proper framing, etc," it reads.

Years after his Titanic tantrums, the “Avatar” director has “mellowed,” says Sigourney Weaver. He calls it “marinating.”

"Avatar" filmmaker James Cameron, Zoe Saldaña and other cast members sit with "ABC News Live Prime With Lindsey Davis."