The latter was the feast day of the choir’s namesake, the Roman Catholic patron saint of music. As it happens, she is ...

Verdi was an opera composer at his core and his Messa da Requiem exemplifies what happens when theatrical sensibilities meet ...

Seventieth birthdays are big deals. When Leonard Bernstein marked the milestone in 1988, the Boston Symphony threw him a three-day-long bash at Tanglewood that included a three-hour concert in the ...

Continuing their tradition of showcasing world-class soloists alongside talented young symphonic musicians, the Boston Philharmonic Youth Orchestra treated their audience to a program of roiling and ...

“When good Americans die,” Oscar Wilde said, “they go to Paris.” Sometimes, though, Paris comes to America. So it happened that the Orchestre National de France found itself at Mechanics Hall in ...

Boston Classical Review is looking for concert reviewers based in the Boston area. Solid knowledge of classical repertory is required as well as excellent writing skills. Classical reviewing and/or ...

What’s the deal with Dmitri Shostakovich and E-flat major? Traditionally, that key is employed to represent grandeur, nobility, heroism—think Beethoven’s Symphony No. 3 or Strauss’s Ein Heldenleben.

For many pianists, the musical, intellectual, and physical rigors of J. S. Bach’s Goldberg Variations are such that the music doesn’t require any programmatic assistance. Yunchan Lim, however, isn’t ...

Distinguishing oneself in the long lineage of classical music is no small feat, and one could argue that Johannes Brahms’s deepest internal turmoil was from this very challenge. On Sunday afternoon in ...

Beware of ideas, Joseph Stalin once warned: they are more powerful than guns. “We would not let our enemies have guns,” he went on. “Why should we let them have ideas?” That statement might make a ...

A sold-out Symphony Hall witnessed a moving performance of Mahler’s Symphony No. 2 in C minor (“Resurrection”) by the Boston Philharmonic Orchestra under the baton of Benjamin Zander Friday night.

There are few great works upon which fame has shone more unwillingly than Edward Elgar’s Violin Concerto in B minor—at least so far as the Boston Symphony Orchestra is concerned. True, this ...